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Postcards and Posters: Uberto Bonetti


The manifesto of 1931 is so popular that replicates without modifications in the years 1932 to 1935

Bonetti But the contribution of the signs of the Carnival is not limited to Burlamacco.

In 1937 signed a manifesto in which a mask is shaped like a stylized sailing on the sea the next year here is a clown face green and red, while the image of 1939 shows a Pierrot with festive elements of the Viareggio sea: a sail and a lighthouse.

Burlamacco reappears in 1940 on the official poster and , due to a photo-montage of the parade seems to walk into the crowd. Burlamacco is alone, without Ondina, and is a white-red image in black and white.

Bonetti Among the posters after the war, the protagonist returns Burlamacco Intermittent:

in 1947/48 jumps between pine trees, sea and sand;

in 1954 leads a procession of colorful masks in 1956 struts on a stylized image of being happy;

is broken up in 1967 by its author in a series of colored shapes in an elegant and sophisticated graphic composition, suspended between dada and pop-art. "

In 1968, another dive in the artistic currents of the time: Bonetti Burlamacco interpreted according to the canons of Optical Art, pure lines, dynamic dancing, in a composition kinetics, which includes a wetting and a stylized Pulcinella.

In 1973, the centenary of the Carnival, superb new Burlamacco transformation, which seems out of the manifesto.

In 1979 Burlamacchi are multiple and throwing streamers.

In 1981 Bonetti never ceases to amaze his sleeve and pulls out a new interpretation of her child: Burlamacco has lost his coat and dancing on the waves; Ondina reappears at his side, but this time in a very small bikini .

In 1990, another variant, the last designed by the master: the coat returns to Burlamacco Bonetti, advancing front, smiling, wearing a mask in his right hand.